Skip to content
Mobile navigation
Till Lindemann in BogotáApr 25, 2027 · On sale Fri Nov 13, 10 a.m.See →

From Sehnsucht · 1997 · Track 2

Engel

«Angel»

More from the album · Sehnsucht
  1. 1Sehnsucht
  2. 2Engel
  3. 3Tier
  4. 4Bestrafe mich
  5. 5Du hast
  6. 6Bück dich
  7. 7Spiel mit mir
  8. 8Klavier
  9. 9Alter Mann
  10. 10Eifersucht
  11. 11Küss mich (Fellfrosch)

In context

It opens with two lines built like a moral nursery rhyme —simple rhyme, the promise of a reward for good behaviour— and spends the rest of the song refuting them. The angels who appear afterwards are not the promised reward: they live alone, they are afraid, and they look down on the world without being able to touch it.

  • Religion
  • Childhood
  • Loneliness
Origin
Released on 1 April 1997 as the first single from “Sehnsucht”. The female voice in the chorus belongs to Christiane “Bobo” Hebold, of the German band Bobo in White Wooden Houses; her high timbre against Till's voice is a large part of what makes the track recognisable. The video explicitly references “From Dusk till Dawn” (1996).
The German key
A German listener recognises the form of the rhyme —the register of what you tell a child to make them behave— before hearing the correction. That prior recognition is what makes the refutation hit, and it is exactly what gets lost in any translation.
Live
It is the song of the aerial number. During the “Liebe ist für alle da” tour (2009-2011) Till sang it wearing a pair of angel wings that shot fire from their tips. The image of the armed angel is exactly the reading the lyrics propose.

Our reading

It is a pattern the band repeats: taking a form from German childhood and turning it against itself. The promise at the start was not a reward but a sentence.

The archive's interpretation, not an official account.

Original (German)

Wer zu Lebzeit gut auf Erden wird nach dem Tod ein Engel werden

Translation

Whoever is good on earth in life will become an angel after death

Verse cited for the purpose of analysis.

The rhyme and its refutation

The song opens with two lines built like a children’s moral saying: simple rhyme, sing-song rhythm, a promise of reward for good behaviour. It is the register of things told to a child to keep them in line.

Then the song takes it apart. The angels in the rest of the lyrics are not the promised reward: they live alone, they are afraid, they watch the world from above without being able to touch it. The promise was not a prize but a sentence — and the German listener recognizes it as a promise before hearing the correction.

It is a recurring pattern in the band’s work — see “Rosenrot”: take a form from German childhood and turn it against itself.

Context

Released on 1 April 1997 as the first single from Sehnsucht. The female vocal in the chorus is Christiane “Bobo” Hebold of the German band Bobo in White Wooden Houses, and her high timbre against Till’s voice is much of what makes the song recognizable. A whistle leads into the chorus and became one of the most quoted signatures in the repertoire.

The video

An explicit reference to From Dusk till Dawn (1996): the action takes place in a roadhouse bar, with band members in the audience and others on stage in unexpected roles.

Live

This is the flying number. On the Liebe ist für alle da tour (2009-2011), Till performed it wearing angel wings that shot flames from the tips and threw sparks along their length. The image — the armed angel — is exactly the reading the lyrics propose.

Translation and notes by Rammstein Colombia, for the purpose of analysis. The full original lyrics belong to their authors.

Sources

← All lyrics