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From Liebe ist für alle da · 2009 · Track 10

Mehr

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More from the album · Liebe ist für alle da
  1. 1Rammlied
  2. 2Ich tu dir weh
  3. 3Waidmanns Heil
  4. 4Haifisch
  5. 5Bückstabü
  6. 6Frühling in Paris
  7. 7Wiener Blut
  8. 8Pussy
  9. 9Liebe ist für alle da
  10. 10Mehr
  11. 11Roter Sand

In context

Accumulating with no destination. The narrator describes not lack but abundance, and still the urge doesn't stop.

  • Accumulation
  • Emptiness
  • No moral
Origin
From “Liebe ist für alle da” (2009). On 11 November 2008, almost a year before the album came out, the band uploaded to its channel a video of Christoph Schneider recording drums over a beta version — one of the few official glimpses of that album's making.
The German key
“Mehr” is simply “more”, the shortest possible word for what it describes. No metaphor dresses it up.
What the band has said
The band has not commented on the song.
Live
There is no record of it being played live.

Our reading

What makes it interesting within the album is that there is no punishment and no moral. On “Liebe ist für alle da” nearly every song casts someone as aggressor and someone as victim; here there is no second person. The narrator is alone with his things, and the emptiness he describes is entirely his own. It works as the penultimate track, before “Roter Sand” closes with a duel: both are about losing everything, one through excess and the other with a single shot.

The archive's interpretation, not an official account.

Accumulation as a condition

“Mehr” — “more” — is a song about accumulation with no destination. The narrator describes not lack but abundance: he has, he has obtained, he has gathered, and still the impulse does not stop. There is no particular object he is after; the object is the act of obtaining itself.

What makes it interesting within the record is that there is no punishment and no moral. On Liebe ist für alle da nearly every song casts someone as aggressor and someone else as victim; here there is no second person at all. The narrator is alone with his things, and the emptiness he describes is entirely his own.

That is why it works as the penultimate track, before “Roter Sand” closes the album with a duel in the desert. Both are about losing everything, by opposite routes: one through excess, the other by a bullet.

What is known about the recording

On 11 November 2008, almost a year before the album came out, the band uploaded to its YouTube channel a video of Christoph Schneider recording drums over a beta version of the song. It is one of the few official glimpses into that record’s process.

That same beta version resurfaced later by another route: it was part of the Liebe ist für alle da demo leaks that circulated in 2012.

Context

Tenth track on Liebe ist für alle da (16 October 2009), recorded in 2008 at Sonoma Mountain Studio in California with Jacob Hellner producing.

Archive note: external documentation on this song is thin — its RammWiki entry records no music video and no concert history — so there is more of our own reading here than hard fact. It is flagged accordingly: what is verifiable is the recording detail; the rest is interpretation.

Notes by Rammstein Colombia, for the purpose of analysis. The original lyrics belong to their authors and are not reproduced in this entry.

Sources

← All lyrics